Who was amy winehouse dating when she died
We take pride in our community of readers, and are thrilled that you choose to engage with us in a way that is both thoughtful and thought-provoking.But the Internet, for all of its wonders, poses challenges to civilized and constructive discussion, allowing vocal—and, often, anonymous—minorities to drag it down with invective (and worse).She was getting her act together and the new Amy—older, wiser—would burn ever more brightly for decades to come. That feeling, that her death was an inevitability that somehow seemed anything but inevitable, is precisely the feeling Asif Kapadia seeks to interrogate in his new documentary which received massive buzz at Cannes in May and is now breaking box-office records in the UK. Or if the tabloids hadn’t hounded her so incessantly? Because the music, at the end, is what really matters.Or if her father, who saw an opportunity in his gifted daughter to grab a small slice of the success that had eluded him as an amateur musician, hadn’t famously told his daughter that she didn’t need to go to rehab because she was fine? As Amy herself says in an early interview in the film: “The more people see of me, the more they’ll realize that all I’m good for is making music.” It’s the kind of faux self-deprecating statement we’re inured to from celebrities who want to seem “authentic,” but Amy meant it.After Winehouse’s death — at her home in Camden, London — Osbourne was quoted as saying, “I was speaking to her last night” on the phone and “she seemed absolutely fine.
The young Jewish woman responds by unleashing the gale force of her talent, forcing them (whoever they are) to sit up and take heed: this is a voice that will not be ignored.
When I look at this picture of you, Amy, I remember you as that beautiful, funny, bright, fun-loving girl, full of talent, love, hope and ambition.
(and the concurrent rise of its star, Barbra Streisand; although you can apply it to any number of female Jewish stars, from Sophie Tucker to Joan Rivers to Bette Midler.) In this motif, the world initially rejects her, telling her she’s too chubby or too plain or that her nose is too big.
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She’s visibly shaking with awe as he tells her, humbly and sweetly, that she’s in a league with Ella Fitzgerald.